..Euro-Dance
Eurodance is a synonymous term for European synthesizer-driven dance music which became popularized worldwide since the early 1990s. The term has come to define the European dance music genre of today.
Definition
The term "Eurodance" was not strongly associated with this style during its ascendant years in the 1990s. This style of music was just as likely to be referred to as "Euro-House" or "Euro-NRG"; in Europe it was often called "Dancefloor". [1] In this case, the term was used to define a unique European dance music genre from the 1990s which included a solo vocalist or a rapper/vocalist duet. Eventually, the term became synonymous to the modern European pop music culture of today.
The term "Eurodance" was popularized by Logic Records' Good Time - Logic Euro-Dance Compilation (1995) and the DMA Dance: Eurodance series of compilation albums (1995-1997) from Interhit Records and Dance Music Authority magazine, and is now a generally understood name for this style of music.
The prefix "Euro" is still a common reference to the genre, although in Europe this style is simply known as dance or pop music.
Eurodance is nightclub-oriented music that is usually produced somewhere in Europe and sounds commercial enough to be played by radio stations and music television. Some of the more prominent Eurodance songs go international, especially if an act manages to score more than one hit.
Characteristics of the music
Most Eurodance is characterized by synthesizer riffs, female vocals with simple chorus, male rap parts, sampling, and a strong beat.
Vocals
Eurodance is often very positive and upbeat; the lyrics often involve issues of love and peace, dancing and partying, or expressing and overcoming difficult emotions. The early 1990s Eurodance vocals are frequently done by a mixed rapper/vocalist duet or as a solo vocalist project.
Many projects utilized variations of the duo theme, such as German rapper Real McCoy, Swedish musician E-Type, or the use of reggae rap such as Ice MC and Fun Factory, or scat singing as in Scatman John. Solo singing artists such as Alexia, Tess, Blümchen, and Double You also contributed to the genre.
Eurodance lyrics are almost always in English, regardless of the artist's nationalities. However, some artists release their songs in both English and their native languages.
Percussion
Almost all Eurodance emphasizes percussion and rhythm. Eurodance percussion is generally a "kick" bassdrum with some variations on a 4/4 time signature. While the percussion is always done by synthesizers, it is a sound more typical of dance music and not the "drum machine" sound typical of rap music. The beats per minute varies from 110 to 150[2], but a BPM of about 135 is very typical.
Melody
Most Eurodance is also very melody-driven. Besides the contribution of the female vocals, there is often a noticeable use of rapid synthesizer arpeggios. This is a very distinctive feature of Eurodance that separates it from Hi-NRG disco. The synthesizer often has a piano or barrel organ sound but sometimes mimics other instruments, such as calliope (e.g., "Touch the Sky" by Cartouche). There is often a short, repetitive riff, while other times there is a whole tour de force of synthesizers (e.g., Close To You by Fun Factory). Some songs have a second riff cycling in between verses.
Characteristics of the bands and business
Eurodance is widely commercialized. Some producers, like Max Martin or Larry Pignagnoli, have fronted dozens of bands. From thousands of records released, only a few bands have existed in the mainstream beyond two records. Many acts, such as Captain Jack and Jonny Jakobsen (Dr. Bombay), had a carefully planned humoristic image. A group called E-rotic received attention with sexually provocative lyrics and music videos.
While Eurodance singles regularly went to Gold, Platinum or multi-Platinum status, it had been more difficult to get a full length album to get to the same level of success. Typical problems cited include the album as a whole not up to the strength of the singles, the performers not being charismatic enough to hold the attention of millions of people past a song or two, or weak promotion of the remainder of the album after the singles have become hits.
History
Original Eurodance is a fusion of several styles of dance music, primarily house and rap with the Hi-NRG variant of disco music.
Hi-NRG and Italo disco
Hi-NRG started in the United States as an underground, faster form of disco after disco had lost mainstream popularity. In the late 1980s it became associated with British record producers Stock, Aitken and Waterman, and by the early 1990s bands such as Masterboy were producing a Continental version of Hi-NRG.
Eurodance shows a strong Hi-NRG influence, such as the high BPM and the strong use of female vocals. The influence of Masterboy is readily seen in Eurodance music that does not feature a duet, such as It's My Life by Dr. Alban and What Is Love by Haddaway. Eurodance can also be seen as a more technologically advanced form of Euro disco, just as Hi-NRG is the more technologically advanced form of Disco.
Italo Disco and its later evolution, Eurobeat, are sometimes thought to be sub-genres of Eurodance, but rather they are offshoots of Hi-NRG. Italo was influential on the production of Eurodance in general, while Italian-produced Eurodance artists, such as Alexia, Cappella, CO.RO, and Double You, tended to preserve features such as operatic female vocals. Later artists such as Eiffel 65 adopted a sort of "marching" beat in their productions. The term "Eurobeat" appears to be more common in Japan, where this style of music is featured in the video game Dance Dance Revolution, as well as in some Anime soundtracks, for example the street racing scenes in Initial D.
House music
House music, also an underground genre in the United States, had come to the UK and continental Europe with the rise of acid house and "rave" techno in the late 1980s. By the early 1990s, with the rise of the Belgian New Beat, house then became associated with Belgium and the Netherlands.
Some of the first songs with elements of what would later be called Eurodance are house music. For example, Strike It Up by Black Box (1990) and Rhythm is a Dancer by Snap! (1992) both have the duet characteristic of Eurodance, and Everybody's Free (To Feel Good) by Rozalla (1991) has the characteristic synthesizer riff.
Of course, not all European house music was absorbed into the Eurodance genre. By the early 2000s, it remained a style disctinct from Eurodance with harder synth and a slower tempo, for example Satisfaction by Benny Benassi (2003).
Rap
Rap verse has been one of the main distinguishing elements of Eurodance. While Eurodance makes use of rap vocals, it does not make use of violent, derogatory lyrics as "gangster rap" does, nor does it follow many of the instrumental conventions of rap music, such as scratching records.
Eurodance has, however, served to popularize rap music in Europe. While rap had been made in Europe at least as far back as Falco's Einzelhaft album (1982), the American variety only gained a more widespread acceptance when Technotronic landed their hit "Pump Up the Jam", followed by Snap's "The Power". The combination of house music with rap vocals in general came to be referred to as Hip house or "house rap".
In Europe
Some examples of "original" Eurodance acts are Alexia, 2 Unlimited, Cappella, Captain Hollywood Project, Centory, Corona, Culture Beat, DJ Bobo, Dr. Alban, Fun Factory, Ice MC, Indra, Maxx, La Bouche, Le Click, and Real McCoy.
These bands included emphasis of the combo female chorus together with male rap performances, leading directly to the duo revival. Each group featured their own signature sound, persona, visual imagery, and vocal approach.
Solo artists who performed Eurodance include Amber, Corona, Haddaway. Rozalla supported Michael Jackson during his European "Dangerous" tour. In 1994, Amber made history becoming the first singer in Eurodance history to be signed to a label as a solo artist, not a singer who is bound to a producer.
Furthermore, the popularity of Eurodance music was enhanced by the Deep Dance and Deep Magic Dance mixes in the late 1980s and 1990s created by DJ Deep, one of the most famous dance music DJs.
United States
In the United States, several Eurodance artists made the Rhythmic Top 40, Mainstream Top 40 Tracks and the Billboard Hot 100 between 1993 and 1998. However, it tended to be the more house and rap-oriented artists that received airplay. For instance, Snap! received quite a bit of airplay early on.
The more Hi-NRG-oriented artists were typically played during special "mix" shows if at all, and it was often necessary to go to a club to hear Eurodance music. Radio stations in the U.S. were cautious about playing anything that sounded too much like disco during most of the 1980s and 1990s. However, Eurodance did become popular with club DJ's in the United States. One of the first Eurodance tracks to become popular in the US was Blue (Da Ba Dee) by Italian Eurodance group Eiffel 65 in 1999 and was considered one of the biggest One Hit Wonders of the decade.
Compilation albums, such as the DMA Dance: Eurodance series put out by Dance Music Authority magazine and Interhit Records, were popular and helped to promote the Eurodance sound in the U.S. and Canada.
2000s
Techno always had an important influence on Eurodance music, which at times was basically its more commercial counterpart. From the late 1990s onwards, Trance began to take more influence from Eurodance as well (see Euro-Trance), while techno music was in decline since the late 1990s. By 2006, Trance started slowly losing popularity as quality releases that lived up to the early 2000s sound declined. Interest in Eurodance reignited. However, this time the comeback was largely helped by interests through music and video websites, which includes significant support from media sharing and online networking sites. Although this would be considered the second generation of Eurodance, the 2000s saw renewed interest in Eurodance.
Such groups as Milk Inc., Infernal, Special D, Groove Coverage, Cascada, Sylver, Danijay, Colonia, T.M.-Joy, and solo artists such as Kate Ryan, Gabry Ponte, DJ Aligator, Ashley Jade, Mark Ashley, Lucas Prata, Re-flex, Kylie Minogue, Dannii Minogue, Basshunter, Mario Lopez, Luca Zeta, and Jessy, among others, represent some of the best of the second generation of Eurodance artists. Most of them have released hit singles and/or albums stateside.
In the new millennium musicians have increasingly used repeating, manipulated snippets of existing music as the basis of their tracks, something which was eventually picked up by Madonna when she used a song by ABBA to supplement her world hit "Hung Up" (2006).
Source
http://en.wikipedia.org/
